Sara Orsi

Web application exhibited at Museo del Traje during xCoAx Madrid 2018 and article published at xCoAx 2018, Proceedings of the Fourth Conference on Computation, Communication, Aesthetics and X, edited by Mario Verdicchio, Alison Clifford, André Rangel & Miguel Carvalhais, Madrid.

Installation with João Abreu Valente, exhibited at Biennial of Contemporary Art of Maia 2017.

Installation and mobile application for Impressões Expressas, curated by Andreia Garcia, design Ana Schefer and Teo Furtado at the Book Fair of Porto.

Interactive installation, with Anaa colective, for Plunc – New Media and Digital Art Fest, at Museu das Comunicações (Lisboa) and Casa da Cerca (Almada).

Mobile application for Impressões Expressas, curated by Andreia Garcia, architecture by Diogo Aguiar Studio, at Book Fair of Porto.

Article with Luísa Ribas and José Gomes Pinto, published in xCoAx 2016: Proceedings of the Fourth Conference on Computation, Communication, Aesthetics and X, edited by Mario Verdicchio, Alison Clifford, André Rangel & Miguel Carvalhais, Bergamo.

Web performance developed for the New Art Fest’16, invited by António Cerveira Pinto who challenged to work on Katyusha (the Stalin’s Organ) film.

Article for the exhibition Streaming Egos, curated by Sandra Vieira Jurgens, Goethe Institute, Lisbon.

Article with Luísa Ribas, present at II Congresso Internacional NetAtivismo: Constelações do Ativismo em Rede, published in Constelações do Ativismo em rede: Livro de Atas do II Congresso Internacional de Net-Ativismo, organized by Marina Magalhães, Luis Miguel Loureiro, Elisabete Pinto da Costa e Maria Belém Ribeiro.

Web-performance for the serie New old films, from Green Ray by Tacita Dean.

Cycle of exhibitions from three perspectives: object, image and space, with João Abreu Valente, organized by Arquivo 237.

Project developed in four steps, in four consequent gestures that take us from the real to the imaginary, from memory to fiction.

Exercise of perform algorithms with the body.